Smalti is made by mixing molten glass with metal oxides for color; the result is a cloudy mixture that is poured into flat slabs that are cooled and broken into individual pieces. The molten mixture can also be topped with gold leaf, followed by a thin glass film to protect against tarnishing. During the Byzantine era, Constantinople became the center of the mosaic craft, and the use of gold leaf glass mosaic reached perhaps it greatest artistic expression in the former seat of the Orthodox patriarch of Constantinople, the Hagia Sophia.
Traditional smalti tiles are still found today in many European churches and ornamental objects; the method is also used by some present-day artisans. In the 1920s, mass production methods were applied to Smalti tile manufacturing, which enabled these tiles to find their way into many middle-class homes. Instead of the old method of rolling the colored glass mixture out, cooling, and cutting, the new method called for molten liquid to be poured and cooled in trays, usually resulting in 3/4 inch chicklet-type pieces.
In the late 1990s, special glass tiles have been coated on the back side with a receptive white coating. This has allowed impregnation of heat-transfer dyes by a printing process reproducing high resolution pictures and designs. Custom printed glass tile and glass tile murals exhibit the toughness of glass on the wearing surface with photo-like pictures. These are especially practical in kitchens and showers, where cleanser and moisture resistance are important.
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